Shock Illustrated #2

Credits:
Cover dated Winter 1955
Cover by Ruddy Nappi

"The Lipstick Killer" - Art by Reed Crandall/Story by Daniel Keyes (credited as A.D. Locke)
"My Brother's Keeper" - Art by George Evans/Story by Jack Oleck
"A Question of Time" - Art by Al Williamson/Story by Al Feldstein
"Dead Right" - Art by Graham Ingels/Story by Al Feldstein (credited as Alfred E Neuman)

Shock Illustrated was one of EC's picto-fiction magazines, which were created after the failure of EC's New Direction line. They featured prose stories, with art from EC's regulars. Unfortunately they were not a commercial success and were soon cancelled. With EC's artists not confined to the small size of a comic book panel for their art, the artwork in these issues is some of the best that EC ever published. In addition, some of the issues featured painted covers, the only such ones done for EC. Rudy Nappi's one for this issue is quite a strong one. In regards to Shock Illustrated in particular, it was the first of the picto-fiction magazines, and began very similar in fashion to the Psychoanalysis comic. Starting with the second issue, it became more like Shock SuspenStories the comic, with the occasional psychiatrist-centric story included, such as the opening story in this issue.

"The Lipstick Killer" - A young man named Lennie has killed a woman in her apartment after she caught him going through his dresser drawers, looking for her makeup and lipstick. Lennie regrets his actions and writes on the mirror in her lipstick. Lennie is caught by the police when he escapes and put on trial, where he is called a sex maniac and is disowned by his parents, who tell him he was adopted. In prison, Lennie meets the prison psychiatrist who goes into his psyche and how he would go through other people's things as a child. He recalls his time at the orphanage, and the nurse who he was very fond of until she caught him in her room and was mean to him afterwards. When Lennie attacks the psychiatrist, he is put into solitary confinement which causes him to go crazy. The psychiatrist meets with him one last time and discovers that the beginning of everything was from when he accidently killed his baby sibling with a pair of scissors, mistakening it for a doll. A sort of holdover from the psychiatrist-themed stories that were prevelant in the first issue. Things drag on for a bit midway through, but the story does have an interesting and surprising ending.

"My Brother's Keeper" - This story features a family that lives on a farm away from town, with two adult sons, Walt and Larry. Larry is large in size, but mentally handicapped, and Walt is fiercely protective of him. When they go into town for groceries, the local kids often make fun of Larry and Walt fights them off. Walt is extremely close to Larry and in addition to bringing him into town every once and a while also plays with him in the local graveyard. The locals from town soon come to talk to Walt and Larry's parents about taking away their son to an institution. This greatly upsets Walt who screams at them and threatens them with a pitch fork. Walt soon realizes that even his parents are on the side of the townfolk and greatly fears what will happen to Larry. Another incident soon happens in the town with Walt and Larry, and they flee to the graveyard. There, Walt realizes that Larry will be taken away for sure this time. He decides it would be best if Larry was saved from this fate through death. Walt bashes Larry's head in with a broken gravestone then buries his body. Upon returning home he finds the townfolk there already and is gleeful that they won't be able to do anything to Larry. But it is Walt himself who is taken away and thrown in the institution. It was always him they were after, due to how violent he would get whenever he felt Larry was threatened. The story ends with Walt screaming maniacally in his padded cell. In my eyes this is arguably the single best EC story of all time. An amazing twist ending and tragic story, with Walt killing the one person who was most important to him. It takes some obvious inspirations from the famous book "Of Mice and Men", and there is an obvious nod to the book with the name of Larry (the name and character inspired by "Lennie" from that book). Apparantely Oleck did other versions of this story that appeared in competitor comics like Black Magic, although I've never been able to come across one of the other tellings. George Evans also turns in some strong artwork.

"A Question of Time" - The local sheriff finds a woman named Lila dead. He goes to see her husband Harry, figuring that he did it. The entire town knew about Lila fooling around with other men, but nobody told him about it. They all assumed he'd find out someday and do something about it. Harry refuses to confess, and the sheriff leaves. Later, Lila, who is still alive comes home, and knowing the truth, he kills her. This story is simply a retelling of the story of the same name from Crime SuspenStories #13. A so-so and confusing at times story, and it would have been good if they could have chosen another story to redo.

"Dead Right" - An older man named Carl is good friends with a man named Joseph who they knew from when they were in medical school together. Both bachelors, the two frequently keep themselves company and are the beneficiaries in each other's wills. The two argue over what happens at death, with Joseph thinking that a person's senses still work while Carl disagrees. One night Joseph tells Carl that he has had some money troubles and has poisoned him. Carl collapses, dead, but still has all the senses he would as if he was still alive. He lays there, unable to do a thing as Joseph closes his eyes then proceeds to have his body taken away, embalmed and buried. It is at that moment that Joseph opens up the coffin and admits to Carl that it was all a gag; he didn't poison him but gave him something that would temporarily paralyze him so as to get him to consider his theory. But Carl doesn't come back to consciousness, as he had died for real at the moment Joseph told him that he poisoned him. A fairly good story, that is a retelling of a story done in Tales from the Crypt #37. Unlike the previous story, this one was drawn by a different artist, Graham Ingels (Jack Davis had done the original story). The original version of the story had been adapted in the Tales from the Crypt TV series.

Impact #3

Credits:
Cover dated July/August 1955
Cover by Jack Davis

"Life Sentence" - Art by Reed Crandall/Story by ???
"The Debt" - Art by Jack Davis/Story by Carl Wessler
"Totally Blind" - Art by Jack Kamen/Story by Otto Binder
"The Good Fairy" - Art by Graham Ingels/Story by ???

Impact was another of EC's New Direction titles. Its focus was on shock endings, one of the things that EC was most well known for. Like EC's other New Direction titles, things just couldn't compare to the golden age of EC's New Trend, but in general it was a better comic than the other New Direction titles. Overall this is an average issue, with the first story being the best and the issue gradually getting weaker with each successive story.

"Life Sentence" - A pastor reveals to a man named Paul that his father has died, bringing him to the dirty house where his father lived. Paul has utter disdain for his father. They talk about Paul's childhood, when his brother Danny died of typhoid. Soon after his father, who had come back from a hardware convention completely changed. He left Paul's mother and moved to a house on the other side of town. There he angrily yells at anyone who comes near. Paul and his mother are able to get by through charity provided to them by the pastor. Back in the present, the pastor reveals to Paul that his father was a typhoid carrier which was the reason for his strange change in behavior for so many years.

"The Debt" - A man named Joe Wiler is released from prison after spending 8 years there. On his way out he is greeted by his old friend and boss, Mr. Ryder, President of the local bank. Flashbacks show how Joe's son Ted was consistently behaving badly and breaking the law. Ted tries to settle down and Joe gets him a job at the bank, but Ryder has a hard time believing that he has changed. Ted gets married, and Ryder becomes suspicoius of the car Ted drives and the fact that he accompanies a country club. One day Ryder tells Joe that Ted has stolen $5,000 from the Bank. Joe takes the blame for it to cover for his son, even though Ryder knows he is lying about it. Back in the present, Ryder, who has suffered a heart attack and is on his death bed reveals that he was the one who stole the money.

"Totally Blind" - A woman named Mildred is very down on herself due to how ugly she is. As a result, she has never had a man love her. But one day she meets a handsome new neighbor of hers, Jim, who is blind. The two soon become friends and he asks her to marry him. Millie, continuously down on herself says they can't get married due to how ugly she is, but he convinces her how foolish this is and that he's known this of her since the beginning. One day Jim falls and hits his head. He later tells Millie he has an ability to get an operation which can restore his sight. Millie wants him to have it before they get married, such that he can see how ugly she is and leave her. Jim tells Millie that she is being a fool and that the fall restored his sight and he has been able to see what she looks like for a while now.

"The Good Fairy" - An old man named Crowder runs a store and is known as a penny pincher and grumpy old man. One day a little girld opens a lemonade stand in front of his store, angering him greatly. The girl's sad story about her sick mother causes many to sympathize with her and buy lemonade from her. Crowder complains, but the police is on the girl's side. Each night the girl's lemonade jar mysteriously gets filled up, causing her to think that she has a good fairy helping her out. This gets Crowder even more upset. But as the story ends it is revealed that Crowder is the good fairy, filling the jar in secret since he has a reputation to maintain.

Incredible Science Fiction #30

Credits:
Cover dated July/August 1955
Cover by Jack Davis

"Clean Start" - Art by Wally Wood
"Marbles" - Art by Bernie Krigstein
"Conditioned Reflex" - Art by Joe Orlando
"Barrier" - Art by Jack Davis

All stories are by Jack Oleck

Incredible Science Fiction was a retitling of Weird Science-Fantasy so as to ensure compliance with the Comics Code, which the comic was forced to follow for the entirety of its 4 issue run. The effect of the Comics Code wasn't too apparent in this issue, but would be in later ones. The comic was notable for featuring the only Jack Davis covers and stories for an EC sci-fi comic.

"Clean Start" - The Solar Federation, consisting of alien beings from throughout the galaxy becomes concerned as the war-obsessed humanity becomes more advanced and nears space travel. A pair of blob-like aliens, Brx and Lth head to Earth, desiring to head to the point in time wheere humanity's desire to kill each other first started. They find as they travel through time however that this aspect of humanity has always existed. So they decide instead to wipe out humanity, saving only one male and one female, so they can teach them to live peacefully and pass such mentality throughout their descendents. They set a device to go off in ten days. Lth, who has transformed herself to look like a human woman searches throughout mankind, but has a hard time choosing and ultimately decides on a random man to save as the device goes off. She returns to her ship but is shocked when the man transforms back into Brx. A strong story to start off the comic, with some good Wood artwork as well.

"Marbles" -  Mankind finally heads to space. As they head there, they make a strange discovery. As they head further into space their destinations become smaller and smaller. The astronauts claim that their planets are small enough to bring into the ship, and they soon fly around, collecting all of the planets of the solar system and bringing them into the ship. In reality, the crew of the ship have gone utterly insane. A rather mediocre story, and at 5 pages one of EC's shortest.

"Conditioned Reflex" - In the story's prologue, a scientist discusses the identification of a methane-based planet discovered by humanity due to the entire planet bursting into flames. The story shows that the planet did have life, which had discovered mankind. Feeling threatened by humanity, the aliens decide to send one of them, Quor to Earth, after having undergone surgery to make him look like a human. Quor heads to Earth and works as a farmhand, getting used to Earth habits, such as smoking a cigarette to relax. He decides to flee when the daughter of the farm owner falls in love with him. Quor quickly is able to infiltrate Earth's government buildings and find out the information he needs. He returns to his planet where he is to present before the leaders of the planet. He lights a cigarette to relax, and the spark causes the entire planet to explode. A strong story with an very interesting twist at the end. Although things are a bit repetive with the second story in the issue featuringn aliens deciding to infiltrate humanity.

"Barrier" - The Eastern and Western Alliances of Earth have been at war with each other for nearly 50 years. Believing the side that lands on the moon will win the war, the Western Alliance sends a rocket into space but it crashes into something and falls back to Earth. The Western Alliance realizes that there is a sort of barrier surrounding the Earth. They decide to team up with the Western Alliance and blow a hole in the barrier so their rocket can get through. As soon as they get through the barrier however, a flying saucer comes after them and forces them back inside. The Western Alliance scientist realizes that alien forces from space have locked humanity in, viewing them as a savage race. The THIRD story in this issue with the theme of aliens fearing humanity. How many ways can the same story be told?

Two-Fisted Tales #41

Credits:
Cover dated February/March 1955
Cover by Jack Davis

"Code of Honor!" - Art by John Severin/Story by John Severin
"Mau Mau!" - Art by Bernie Krigstein/Story by ???
"Carl Akeley!" - Art by Wally Wood/Story by Jerry De Fuccio
"Yellow!" - Art by George Evans/Art by George Evans

Today I cover the final issue of Two-Fisted Tales. By this point in the comic's run, it had gone through another stylistic change and featured a variety of war, historical and adventure-type stories. It was a more interesting style than the John Severin/Colin Dawkins heavy presence that dominated the comic for the previous year. Unfortunately sales were not good and it ended up being the final issue.

"Code of Honor!" - A man named Stephen Graves Ashley is a deadly marksman. He is frequently in duels, for which he has never lost. This is largely because he takes offense at the most minor things and forces people to face him on in a duel. When a man named Benton calls Ashley a murderer, he challenges him to a duel. Ashley easily kills him in the duel, as well as another man who tried to convince Ashley to call off the duel and got called into a duel himself. Ashley later travels to Louisiana and encounters a Frenchman at a dance named Jean Le Poer whom he also challenges to a duel after he tries to step in during a dance with a young woman. Being in the New Orleans area, Ashley soon realizes that he will have to duel with swords instead of a gun. Ashley's cousin warns him about dueling Le Poer, which he ignores. Ashley quickly loses his duel to Le Poer and is killed, not knowing that he is the deadliest swordsman in France. A fairly interesting story to start the issue with a lead character who is easy to dislike. It is good to see him get the comeuppance in the end.

"Mau Mau!" - A pair of white men, McBan and Quantock are in Kenya, working on the filming of a movie. They recruit a member of the local Mau Mau tribe, Limuru, who acts as a consultant for them, and immediately pays dividends by killing a Mau Mau terrorist who approaches them. In the camp, they soon meet another Mau Mau tribesman, Hinga, who repairs their power generator for them. Limuru warns McBan and Quantock about Hinga, who he say swill do evil things. When one of the men is killed by a beast, Limuru tells McBan and Quantock that it was actually a Mau Mau ritual murder, and he blames Hinga. Hinga soon escapes. Limuru is used in a scene to play a Mau Mau oath giver, but when he does so, he riles up the Mau Mau tribesman for real, and they attack.  They are saved by the local military, which incidentally is led by Hinga. A so-so art job from Krigstein, and probably the weakest story of the issue, although its not bad.

"Carl Akeley!" - This story is a historical telling of certain events in the life of Carl Akeley. It starts with his childhood, and then moves into his time as a skilled explorer in Africa. During one incident he is charged upon by an elephant and slammed into the ground. He surprisingly survives despite his major injuries. During another expedition he is attacked by a leopard and manages to fight it off with his bare hands. The story ends revealing that his ultimate fate was dying due to a mosquito bite. Two-Fisted Tales featured a number of tales covering particular people from a historical perspective, and this story was similar in vein, but rather than focus on a particular major war figure, it featured an explorer. An interesting take, with some good art from Wood.

"Yellow!" - This story features a pair of plane pilots during World War I, Stone and Curry. Stone is consistently nervous while in flight and becomes a bit obsessed with outdoing Curry. This is particularly the case after Stone makes a call out of someone being yellow after the death of a fellow pilot. Stone becomes obsessed with matching and beating Stone. He soon surpasses Curry in kills, despite how frightened he is and then helps save Curry in battle. Afterwards when Curry thanks him, Stone says that his call out of him caused him to focus so heavily. It is then that Curry reveals that it wasn't Stone he was calling yellow, but himself. One of the better George Evans World War I plane stories, with some characters and a storyline more interesting than the typical historical fare.

Psychoanalysis #1

Credits:
Cover dated March/April 1955
Cover by Jack Kamen

"Freddy Carter (Session 1)" - Art by Jack Kamen/Story by Daniel Keyes
"Ellen Lyman (Session 1)" - Art by Jack Kamen/Story by Daniel Keyes
"Mark Stone (Session 1)" - Art by Jack Kamen/Story by Robert Bernstein

Probably the most unique of EC's New Direction titles, Psychoanalysis focused on three patients of a psychiatrist, the type of story you would never expect for a comic book. The title was unique from other EC stories for several other reasons as well, such as being the only EC title that was exclusive to one artist, Jack Kamen. Kamen was perfectly suited for the comic, where much of the activity occured in a psychiatrist's office. The title also brought in a couple of outside writers in Daniel Keyes and Robert Bernstein who weren't used for EC's other titles, at least until the picto-fiction era.

"Freddy Carter (Session 1)" - Freddy is a teenage boy that has acted out recently, including stealing a wristwatch from a friend. He also is failing in school and doesn't do well at sports. The psychiatrist soon notices that a lot of blame comes from his well to do parents. His father is obsessed with him being good in sports and going into the same field of work as him. His mother satisfies his interest in arts and other less manly things, but also smuthers him. This makes his father even more upset at him. All of this has caused Freddy to act out and to steal from his friend, whom he is jealous of because he has much better parents.

"Ellen Lyman (Session 1)" - Ellen is a young woman who is frequently having very sever migraines. She is also suffering from insomnia and whenever she does sleep has a bizarre dream. During the dream she is trying to get into a garden but is refused by a man standing there. He gives her a rabbit, which soon becomes worn and lumpy. She is told she can go through the gate if she gets a hundred on a test, but instead fails. She eventually finds the guard of the gate dead and heads into the garden, but finds the garden dark and decrepid. The psychiatrist works through Ellen's childhood, finding that a lot of these things stem from the poor household in which she grew up and the jealousy of her older sister.

"Mark Stone (Session 1)" - Mark Stone is an overweight writer who is frequently having pains in his chest that cause him to pass out. He is a successful writer, making a lot of money, but he typically spends it all and is sick with his work, thinking it is too commercialized. He is always down on any other writer whom he comes across who he thinks has done a better job than himself. Similar to Freddy, he also recounts a bad childhood during which his father was very critical of him.

Mad #23

Credits:
Cover dated May 1955

"Gopo Gossum!" - Art by Wally Wood/Story by Harvey Kurtzman
"Scenes We'd Like to See!" - Art by Jack Davis/Story by Harvey Kurtzman
"Believe It or Don't!" - Art by Wally Wood/Story by Harvey Kurtzman
"The Barefoot Nocountessa!" - Art by Jack Davis/Story by Harvey Kurtzman

One of the simplest covers of all time to an EC comic kicks off this issue of Mad, which was the final issue of Mad in comic form before it became a magazine with the next issue. EC's humor comics are still not my cup of tea, but it is by far the best of the 3 that I have reviewed thus far.

"Gopo Gossum!" - This story is a parody of Walt Kelly's Pogo strip. In it, the Gopop Gossum of the title visits some big city cousins and returns home to the woods with his fellow animal creatures, convinced that the animals have to join political parties to make it big time. The remaining pages of the story feature animal parodies of various politicians at the time (many of which are lost to me, since this comic was published almost 30 years before I was born), and all of the animals are blown up. In the final two panels it is revealed that the bit city cousins Gopo met were Disney characters and that they meant an event type of party, not political parties.

"Scenes We'd Like to See!" - This story features a series of typical movie scenes, which are then retold in more interesting and funny fashion. It begins with a romance scene, then also goes into a fencing scene, a battle at a fort with indians, an escape from Nazis and a hero about to get bumped off by some mobsters. While an interesting concept, a lot of this story reeks of laziness to me. For the first 7 pages, entire scenes are repeated in black and white with only the final panel being changed, making for quite a bit of space wasted. Things only get interesting with the final scene, which reduces the 15+ scene of a hero in mortal peril escaping as is the typical cliche, to a 2 panel scene in which he is immediately killed by the bad guy.

"Believe It or Don't!" - This is a short 3 page feature that features various hard to believe people, accomplishments, etc... For example, Stalin was born in the Bronx, the water in Niagara Falls does not fall, but rather travels up, and various others. My favorite is the South American Indian "Symbol of Death" which causes death if gazed upon within a year. After this brief explanation is says "Too bad if you looked".

"The Barefoot Nocountessa!" - This story is about the Barefoot Nocountessa of the title, a beautiful woman who always walks barefoot. The story is told by a Humphrey Bogart lookalike called Humphry Yogurt who is talking about her at her funeral. It features various anecdotes about her, such as a pair of rich men fighting over her, her falling in love with a stench ridden bum and various others. At the end of the story it is revealed that she was murdered due to her smelly feet.

M.D. #1

Credits:
Cover dated April/May 1955
Cover by Johnny Craig

"The Fight for Life" - Art by Graham Ingels
"Janie Some Day" - Art by George Evans
"To Fill the Bill" - Art by Joe Orlando
"The Antidote" - Art by Reed Crandall

The second issue I'll be covering of M.D. is the comic's first. Not much different here than the previous issue I covered (#5) aside from the fact that each story (aside from the first) has a prognosis listed above it. Much like the previous issue I covered, its a rather dull and lifeless issue. The writer for all four stories is unknown.

"The Fight for Life" - Rather than being a traditional fictional story, this story instead provides a brief history of illnesses and attempted cures throughout the ages, starting with cave men, and going through various eras of human history. It shows the various ways in which mankind dealt with illnesses, including some very backwards thinking. It also briefly features Hippocrates and the effect he had on the medical profession. Stories told in this fashion were quite a rarity for EC, particularly for comics not edited by Harvey Kurtzman. It was clearly meant as an introduction to the comic, and a similar approach was taken with Aces High.
"Janie Some Day" - The Janie of the title is an orphan girl with Congenital Osteomyelitis, which forces both of her legs to be in casts. Eventually one of the leg gets better, enabling the removing of the cast, but the other leg gets worse and worse until it has to be amputated. The doctor tells Janie of the new leg she will get to replace her amputated one, but she is horrified when she believes she will be given a wooden leg. The doctor shows her the life-like artificial leg that is ready for her, and she is soon able to walk and play with the other orphans.

"To Fill the Bill" - A man is behind on a number of bills, and whenever he is able to pay some of them always ignores the one from his doctor, despite recommendations from his wife to pay them. One day his son swallows a safety pin and stops breathing. Despite the fact that the man was behind on all his bills, the doctor arrives and is able to save the boy by doing a tracheotomy. The man tells the doctor he will pay all the outstanding bills right away. The protagonist's refusal to pay the doctor bills in this story came off as a bit ridiculous and made it rather obvious what the ending of the story would be.

"The Antidote" - A doctor is about to head to meet with a specialist about something when one of his patients comes, hysteric about his kid. Despite having something to attend to, the doctor goes with him to see the child, who has an appendicitis. The doctor goes ahead and operates on him at the father's pleading, despite his other obligations. Once he is finished, he meets with the specialist, who was examining the doctor's wife. A similar type of story was done in Impact, although with much more tragic results.

Extra! #1

Credits:
Cover dated March/April 1955
Cover by Johnny Craig

"Dateline: Cayo Ramono, Cuba!" - Art by Johnny Craig/Story by Johnny Craig
"Camera!" - Art by John Severin/Story by Colin Dawkins
"Holiday for MacDuff" - Art by Reed Crandall/Story by ???
"Dateline: Key West!" - Art by Johnny Craig/Story by Johnny Craig

Extra! is the second of the six New Direction titles that I've covered on this blog. This one featured the adventures of newspaper reporters and photographers, who often got heavily involved in the action themselves as this issue shows. Overall, like EC's other New Direction titles, Extra! just couldn't compare to those that came out in the New Trend. All of the stories here are average adventure stories at best, and from a story standpoint aren't good enough to warrant any high praise. Overall the artwork is fairly strong though. Johnny Craig was my favorite EC artist and he got 2 stories per issue here (and was editor for the comic's entire run). While EC's line was almost entirely anthology stories, Extra! features a number of recurring characters who are introduced here including Keith Michaels, Vicki, Patrick MacDonald and Slick Rampart.

"Dateline: Cayo Romano, Cuba!" - Reporter Keith Michaels is heading towards Cuba but is late, worrying his boss, Editor Patrick MacDonald as well as his secretary Vicki. Keith and Vicki depart on a plane, having heard that a munitions firm owner, Henry Gavell (a former Nazi) has dissappeared. Upon arriving in Cuba, Keith finds that Gavell has been taken prisoner. Keith is able to rescue Gavell and escape with him, but thinks that it was all an act and takes Gavell captive. This is proven when Gavell reveals he knows Keith's name, despite him not saying it.

"Camera!" - Slick Rampart, a cameraman heads to a conference in Geneva to take pictures of a General May. While there, he spots that another cameraman is carrying an odd camera that he doesn't switch the film for. Rampart follows the man and goes inside his home while he's away. There he realizes that the camera is actually a gun. He is encountered by some thugs on the way out whom he manages to beat off. Rampart sneaks a regular camera back into the man's house. The next day he spots him trying to take a picture of the general and realizes that the man was trying to assassinate him. The criminal is taken captive and pulls out a regular gun, but Rampart shoots him with the camera-gun.

"Holiday for MacDuff" - A Scottish reporter named MacDuff heads down for vacation on the island of Christian. There he hears gunshots going off and bursts inside a house where he sees Dr. Karona and his daughter. Karona has been shot. MacDuff decides to helps out the daughter, Wilhelmina, despite local law enforcement not trusting him. Wilhelmina tells MacDuff that Karona was hiding away from enemy agents while working for his government on a Tinnium project. MacDuff and Wilhelmina escape from their guard and MacDuff finds the man who shot Karona. They do battle on  his boat and MacDuff comes out on top. Wilhelmina convinces MacDuff to keep things a secret by kissing him.

"Dateline: Key West!" - Keith Michaels and Vicki head to Key West where Keith hopes to get some spear fishing in. They attend a party that night where they meet the head of the Miami World Press Service, Mr. Edson. He introduces them to his daughter Nancy and her fiance Rod. The next day, Keith and Vicki go out spearfishing and Keith spots a body in the water. He brings it up and Mr. Edson reveals the body belonged to a private investigator he had looking into Rod. Keith convinces Rod and Nancy to come out spearfishing with him and Vicki. They head to the area where Keith found the body, which he has left there. He has Rod come underwater with him where the 2 do battle, with Keith knocking him out. Once he brings Rod to the surface Nancy admits that Rod was into Narcotics and was blackmailing her. Upon coming to Rod confesses to the murder, and Keith & Vicki decide to enjoy the rest of their time off.

M.D. #5

Credits:
Cover dated December 1955/January 1956
Cover by Johnny Craig

"Complete Cure" - Art by Reed Crandall
"Child's Play" - Art by Joe Orlando
"Emergency" - Art by Graham Ingels
"The Right Diagnosis" - Art by George Evans

The writer for all 4 stories is unknown.

This is the first New Direction title I've covered as part of this blog. EC's New Direction comics were brought out after Bill Gaines cancelled all of EC's horror and suspenstory comics due to the horror/crime comic controversy at the time. The New Direction comics tackled various new subjects, some of which hadn't been covered in comics before. M.D. focused in particular on doctors and medical-drama related stories. Essentially a comic book version of E.R., House or other doctor/hospital themed shows. The New Direction comics were commercial failures and were a bit lifeless compared to EC's New Trend horror, crime and sci-fi comics. In addition, starting with the second issue of each the comics were under the Comics Code, resulting in a lot of censorship. Some of the New Direction comics were able to be at least somewhat interesting, even with the censorship, but M.D. was a comic I was never all that into. I can't say the stories are particularly bad, at least in this issue, but its hard to get too much into them or have much to say which is why this will be a rare instance where I won't have individual thoughts on each story. The one big thing that does come across in reading this issue is how different things are today; in "Child's Play", the mother's fear of her son being labeled different due to having a hearing aid, enough so that she doesn't even want him to have it, comes off as particularly ridiculous nowadays. The issue features a lot of extremism from the main characters, not just from that mother, but also central characters from the first and last stories.

"Complete Cure" - A man named Phil is in a car accident in which his legs are severly injured. His wife arrives at the hopsital and agrees to surgery which will save his life, but require the removal of his legs. Phil is extremely negative after waking up, wishing that he had died rather than losing his legs. He is convinced that his life is over and doesn't want to live as a cripple using prosthetics. Eventually he is convinced by his wife to use prosthetics and is able to walk again, but still feels extremely sorry for himself. He decides to leave his wife to spare her the burden of having to support him, but his doctor convinces him to come and see him first at a country club where he introduces him to a well known doctor, who also lost both of his legs. Phil realizes that he can make something of himself despite his handicap.

"Child's Play" - This story features a young boy named Jimmy whose friends stop playing with him and whose grades start suffering. It is soon discovered that Jimmy is going deaf which is the reason for these things. He goes through various tests and the doctor tells his parents that they could operate on him and give him a hearing aid to make things better. His mother is strongly opposed to this, thinking he will be labeled as different. She eventually concedes to having the operation. As it turns out, him having a hearing aid doesn't cause any problems at all; he gets back together with his old friends and they find his hearing aid very interesting.

"Emergency" - This story features a doctor traveling in an ambulance with a man with a broken leg. Due to a large storm, a tree blocks the road and he's forced to carry the injured man on a stretcher with the driver. When they get to the hospital they find that the power is completely out, and the backup generator isn't working either. The doctor, as well as the other doctor there and the various other staff work throughout the night to help out their patients, despite the lack of light or electricity, including successfully conducting surgery. By morning the power is back on and the doctors are finally able to take a break.

"The Right Diagnosis" - A man named George Gordon goes to his doctor complaining of severe abdominal pain. His doctor says nothing appears wrong after doing various tests, but George is convinced that he needs his appendix out. The doctor thinks it is more of a psychological disorder due to George's depression and that he has a self-destructive personality making him want to get surgery despite not needing it. George decides to go to another hospital under a fake name to see if they will operate on him, but they refuse as well. This causes George to want to commit suicide by jumping off the side of the building, but the doctor convinces him to not do so and get help.