The Crypt of Terror #18

Credits:
Cover dated June/July 1950
Cover by Johnny Craig

"The Maestro's Hand!" - Art by Al Feldstein/Story by Al Feldstein
"The Living Corpse" - Art by Wally Wood/Story by ???
"Madness at Manderville" - Art by Harvey Kurtzman/Story by Ivan Klapper
"Mute Witness to Murder!" - Art by Johnny Craig/Story by Johnny Craig

"The Maestro's Hand!" - A man named Doctor Hellman comes to a lonely cabin in the woods where he finds a package waiting for him. Flashbacks reveal that Hellman was engaged to a woman named Virginia and had taken her to see the great musician Vladimir Borrstein. Virginia immediately falls in love with Vladimir's talens, which include not just playing the piano, but also painting. Virginia breaks off her engagement with Hellman and instead gets engaged to Vladimir. Hellman is convinced that Virginia is merely in love with Vladimir's talents, not him, and when Vladmir injures his hand, Hellman takes the opportunity to have it amputed. Vladimir is so distraught over losing his hand that he kills himself, and Virginia does the same shortly afterwards. Back in the present, Hellman opens the package, which is revealed to be Vladimir's severed hand. The hand comes alive and tries to kill Hellman. He tries all he can to avoid it, but it eventually grabs him by the throat and strangles him. Later the police find Hellman's body which shows that he actually imagined it all and strangled himself. A strong start to the issue, with good story and art from Feldstein.

"The Living Corpse" - A middle aged man named Jed Bryant works at a morgue. One night a corpse is brought in, but becomes alive, grasping Jed and causing him to be knocked out. Jed wakes up earlier and the corpse is gone, causing him to forge the books as if it was never there. Days later another corpse arrives and the same incident happens again, causing Jed's hair to go completely white in shock. Jed is convinced no one will believe him and instead of going to a doctor he goes to a theatre where a man named Satanus the magician defies death after beind held underwater. Later another corpse is brought to the morgue which is the murdered assistant of Satanus. Satanus himself is soon revealed to be the "living corpse", who had been faking his death so he could be brought to the morgue and the proof of his involvement in his assistant's murder could be  destroyed. The two struggle, and Satanus is knocked out when his head strikes a wall. Jed puts him in the freezer to hold him while he tries to call the police, but the shock of seeing a corpse come to life for the third time is too much and he dies of a heart attack. Locked in the freezer, Satanus freezes to death. A so-so art job, but another strong story.

"Madness at Manderville" - A woman named Marion is continuously nervous, including dropping dishes and being convinced that there are noises and lights outside when her husband Tom doesn't notice anything. Marion continues to go crazier and crazier, as the family dog is found dead. Tom brings her to a mental institution but upon arriving there, it is Tom who is committed as he wasn't noticing any of the things that were really happening. The ending to this story is a bit contrived, with Tom being committed over rather flimsy reasons. A similar ending was done in far superior fashion in the story "My Brother's Keeper" from Shock Illustrated #2.

"Mute Witness to Murder!" - A woman named Pam witnesses a neighbor murdering his wife which causes her to suddenly go deaf in shock. Her husband calls for a doctor to come, but the doctor, Dr. Bask, is the very man who committed the murder. Knowing she witnessed it, he has her committed to a mental institution where he plans to murder her by claiming she needs brain surgery, then murdering her during it. Pam soon regains her voice but keeps quiet, and manages to overpower Dr. Bask when he comes to take her. Bask, who has a heart condition begs her to call for help, but she refuses and he dies. This story was adapted for an episode of the Tales From the Crypt TV series late in the show's run. It is a type of story that would have fit better in Crime SuspenStories, having no supernatural elements to it.

The Vault of Horror #12

Credits:
Cover dated April/May 1950
Cover by Johnny Craig

"Portrait in Wax!" - Art by Johnny Craig/Story by Johnny Craig (hosted by the Vault Keeper)
"The Werewolf Legend" - Art by Wally Wood & Harry Harrison/Story by Gardner Fox
"Horror in the Night" - Art by Harvey Kurtzman/Story by Ivan Klapper
"Terror Train" - Art by Al Feldstein/Story by Al Feldstein

Today I cover the first issue of the Vault of Horror, which along with The Crypt of Terror #17, was the first horror comics released by EC. Vault of Horror stories originally appeared in issues 10 and 11 of War Against Crime prior to EC changing the title to the Vault of Horror with this issue.

"Portrait in Wax!" - Henry is a struggling artist with little talent but a lot of ambition who lives with Robert, who is the exact opposite, lots of talent but no ambition. Henry steals a piece of Robert's artwork and makes a lot of money selling it to an art dealer. He does it repeatedly, making a lot of money. But Robert goes to a showing of the dealer's art and discovers what Henry has done. He is going to the police, but Henry throws acid in his face, knocking him out. Henry dumps him in a vat of acid to destroy his remains. Years pass and Henry makes tons of money off Robert's work. But eventually he sells of all the artwork. Luckily he finds a new artist to make money off of when a sculptor named Jules Vendette shows him his wax statues of people who died. Henry makes lots of money opening a museum of them, claiming the work as his own. But one day while moving a statue he discovers they're not really statues, but corpses covered with wax! Jules is actually Robert, who had not actually died since the vat he was dumped in was just water. He kills Henry and makes him his latest statue. Johnny Craig's first Vault lead story (and along with Curse of the Full Moon, which came out the same month in Crypt 17, one of his first horror stories). Although Craig's art is still somewhat simple looking compared to his later stuff, he still does a good job here. This story would be somewhat redone (with much more horrific results) in Silver Threads Among the Mold from issue 27, which was the first EC story I ever read.

"The Werewolf Legend" - An Englishman named Walter Mallory finds himself transformed into a werewolf and he kills a man who comes by him. The next day he wakes up in his home and grows nervous upon hearing from his cousin Gregory that a neighbor has been torn to shreds. Walter goes to the family library where he finds some manuscripts revealing that several ancestors had been werewolves. The next full moon he awakens as a werewolf again and kills another man. Walter seeks out the police and discusses the possibility of a werewolf doing the killings with them. He asks them to watch his castle the night of the next full moon and kill the werewolf if he sees it. The next full moon Walter becomes a werewolf yet again and kills another man without being caught by the police. Upon returning to human, Walter is prepared to kill himself but is stopped by the police, who reveal that it was actually his cousin Gregory who killed those men. Gregory had hypnotized Walter into thinking that he was a werewolf, faked the manuscripts and killed 3 men who were blackmailing him. The first of numerous werewolf stories to appear in the Vault of Horror. Wally Wood worked with Harry Harrison for a number of early EC stories in the horror and sci-fi comics. The artwork on this story bears only slight resemblance to the well known style Wood later developed on his own throughout much of his years at EC. While the art is a bit uneven at times, this is a fairly strong story.

"Horror in the Night" - A man named Jim visits his brother Tom at Hawkins Tourist Cabins, the family business. Tom is a nervous wreck, telling Jim about a horrific dream he had. In the dream, a couple comes to the cabins to stay the night. Tom suddenly finds himself in the cabin, as if he was a ghost. The wife is a complete lunatic, trying to escape multiple times in the night and murdering a cat by the door. The husband is bringing her to an insane asylum, as she has been crazy ever since their baby was clawed to death by a cat. When she tries to escape yet again, he strangles her then kills himself. Jim convinces Tom that it was just a dream and not something to worry about, but soon the couple arrives for real. The dream coming to life is another common horror story trope. While it is not something I have seen referenced out there from EC historians, this story may be yet another one inspired by an anecdote from Bennet Cerf's Try and Stop Me, as that book contains an anecdote about a woman's dream coming to life much like what we see here.

"Terror Train" - A woman named Gloria is convinced that her husband Ralph is going to kill her to get the $25,000 life insurance policy he has out on her. She catches him bringing poison into the house and one night wakes up with him over her bed, a knife in hand. She flees to a train station, buys a ticket and heads aboard. Soon however she notices that Ralph is aboard as well. After fleeing from him she goes to sleep, but when she awakens she finds all her fellow passengers murdered. She jumps off the train and makes her way to an abandoned shack where Ralph is waiting for her. Ralph throws her in a coffin and buries her alive. Suddenly Gloria wakes up; everything since she awoke and found the other passengers dead has been a dream and she imagined all of it, including her paranoia about Ralph trying to kill her. Ralph is there with a crew-member and has her taken away and put in a mental institution. A fairly strong ending to what is overall a fairly good issue for its time. Having insane women in back to back stories to wrap up the issue is the one flaw, and "Horror in the Night" would have fit better if moved to another issue (perhaps flipped with the 6 page story from The Crypt of Terror issue published the same month) such that there would be more variety. This story was one of a rare number that were reprinted by EC during the new trend, and would later reappear in The Haunt of Fear #20.