Weird Fantasy #13 (1952)

Credits:
Cover dated May/June 1952
Cover by Al Feldstein

"The End" - Art by Wally Wood/Story by Al Feldstein & Bill Gaines
"The Trip!" - Art by Jack Kamen/Story by Al Feldstein & Bill Gaines
"Home to Stay!" - Art by Wally Wood/Story by Al Feldstein & Bill Gaines
"Don't Count Your Chickens..." - Art by Joe Orlando/Story by Al Feldstein & Bill Gaines

Our first entry covers my personal favorite issue of Weird Fantasy, which is also one of the more historically significant single issues that the company produced.

"The End" - The story begins with a massive comet approaching Earth but it miraculously burns up shortly before reaching the point of return. While humanity is saved, it is soon discovered that all mammals on Earth have become sterile due to the radiation from the comet. The second half of the story focuses in particular on Adam Akly, the last man ever born. As Adam grows older he focuses on trying to save humanity by creating a massive time machine which he plans to use to bring people from the past so as to repopulate the Earth in the present. The massive time machine is constructed in Grand Central Station due to its population density and placed in a location where it can draw people from the past and transport them directly to the future. A problem soon arises as only men are being transported from the past. Switching the years from which it draws them makes no difference, so Adam makes a last ditch attempt to solve things by going back in time himself to discover whats going on. Once he arrives he realizes that he's made a major mistake; the time machine's been placed in the men's bathroom. This story's origins can be traced to Miriam de al Ford's "The Last Generation" which inspired the sterilization part of the storyline and Damon Knight's "Not With a Bang", which inspired the ending. A very strong story to start off the issue.

"The Trip" - A scientist, Lon, falls in love with his beautiful assistant Edith. Since his wife won't give him a divorce, he plans to run away to a space colony with Edith. Lon is given the
opportunity to head to one of the space colonies to try out a quick-freeze system that he has developed that can instantly freeze animals for transport, and permit for their immediate thawing later on.  Because Edith is forbidden from heading to the colony with him, Lon has her quick frozen then stores her away in the ship. After his arrival Lon sets up his quick-thaw equipment and plans to thaw her that night while everyone is asleep. While carrying her to the quick-thaw equipment however, he trips over a loose wire and drops her, resulting in her body smashing into a million pieces. While this story contains many elements that appear in countless Jack Kamen stories, it's terrific ending makes up for it, making it one of the more memorable Jack Kamen science-fiction stories in my eyes.

"Home to Stay" - This story is about a rocket ship pilot, Dan Fawcett who repeatedly has to leave his wife and young son, Jimmy to head off to space, often several years at a time. Each time he
returns he strongly thinks about retiring so he can stay home with his family, but the urge to return to space overtakes him and he heads back time and time again, missing much of his son's
childhood. Dan finally promises that his latest trip into space will be his last. Returning to Earth however his ship explodes. While Dan is able to get into his spacesuit in time, he is caught in
Earth's gravity and starts burning up as he heads into the atmosphere. His wife and son spot him from the ground below, and thinking its a shooting star, Jimmy wishes upon it for his father to come home to stay. This story was an unauthorized adaption of 2 Ray Bradbury stories, "Rocket Man" from which much of the story comes from, and "Kaleidoscope" which inspired the ending". Upon reading the story, Bradbury sent a letter to EC pointing out that they had "forgotten" to pay him royalties for the 2 stories and asking if they'd be interested in future collaborations. This resulted in numerous future Bradbury adaptions which appeared in particular in the science-fiction comics. Incidently enough EC had swiped multiple stories from Bradbury before (Haunt of Fear #6's "A Strange Undertaking, which was based on "The Handler", and Vault of Horror #22's "What the Dog Dragged In", which was based on "The Emissary" are just a couple of examples), and also drew inspiration from his story "The Earth Men" in the next issue's story titled "Mad Journey". Bill Gaines claimed in a panel at the 1972 EC Convention that Bradbury thought "Home to Stay" ended up better than original stories and I would consider it one of the best stories that EC published.

"Don't Count Your Chickens..." - A young boy finds many eggs on Easter and his favorite is a bizarrely colored egg which his parents don't recall painting. That night, the boy hears the egg calling out to him, and the he follows the egg's directions to bring it to a cave. When he returns the next day, he finds that the egg has hatched, revealing a strange, but small alien creature. The creature used a sort of mind-control on the boy, convincing him to find it meat to eat. This starts with the boy removing food from his plate at dinner but graduates to much larger sources as the creature grows. Eventually, fearing for his health, the boy's parents send him away to summer camp. The creature, now quite large, makes it way out of the cave and starts attacking cows and various other animals to satisfy its hunger. Eventually the military is able to destroy it by burning it with flame throwers. The next Easter however, numerous boys and girls find very similar looking eggs while going on their Easter egg hunt in the areas that the creature had traveled through. Joe Orlando was usually drawn upon to do stories with bizarre looking aliens and this story featured one of the strangest looking ones an EC comic ever had.

The letter column for this issue contains a letter from Arline Grandon Phelan which heavily criticized the content of EC's comics and was discussed in the letter columns for multiple issues afterwards. Bill Gaines would later reveal in an interview that the letter was fake.